| 000 | 01221nam a2200289 4500 | ||
|---|---|---|---|
| 003 | ZW-GwMSU | ||
| 005 | 20240402073913.0 | ||
| 008 | 240325b |||||||| |||| 00| 0 eng d | ||
| 020 | _a9780141189185 | ||
| 040 |
_arda _bEnglish _cMSULIB _erda |
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| 050 | 0 | 0 | _aPN1657 THE |
| 100 | 1 |
_aBentley, Eric _eeditor |
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| 245 | 1 | 4 |
_aThe Theory of the modern stage : _bfrom Artaud to Zola : an introduction to modern theatre and drama / _cedited by Eric Bentley |
| 264 | 1 |
_bPenguin books, _c2008. |
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| 264 | 4 | _c©2008. | |
| 300 |
_a498 pages ; _c23 cm |
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| 336 |
_2rdacontent _atext |
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| 337 |
_2rdamedia _aunmediated _bn |
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| 338 |
_2rdcarrier _avolume _bnc |
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| 504 | _aIncludes index. | ||
| 520 | _aBrings together writings by dramatists, directors and thinkers who have had a profound effect on the theatre since mid nineteenth century, from Adolphe Appia to Emile Zola. Here, Antonin Artaud sets out a manifesto for a Theatre of Cruelty, and Bernard Shaw defends himself as a realist, while W B Yeats describes the creation of a People's Theatre. | ||
| 650 | 0 | _aDrama | |
| 650 | 0 | _aDrama History and criticism | |
| 650 | 0 | _aTheater History | |
| 650 | 0 | _aCriticism, interpretation, etc | |
| 942 |
_2lcc _cB |
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| 999 |
_c94574 _d94574 |
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