000 | 02081nam a22002657a 4500 | ||
---|---|---|---|
003 | ZW-GwMSU | ||
005 | 20250304101622.0 | ||
008 | 250304b |||||||| |||| 00| 0 eng d | ||
022 | _a00935301 | ||
040 |
_aMSU _bEnglish _cMSU _erda |
||
050 | 0 | 0 | _aHF5415.3 JOU |
100 | 1 |
_aLee, Chan Jean _eauthor |
|
245 | 1 | 0 |
_aInterpersonal relationships and preferences for mood-congruency in aesthetic experiences / _ccreated by Chan Jean Lee, Eduardo B. Andrade and Stephen E. Palmer |
264 | 1 |
_aOxford : _bOxford University Press, _c2013. |
|
336 |
_2rdacontent _atext _btxt |
||
337 |
_2rdamedia _aunmediated _bn |
||
338 |
_2rdacarrier _avolume _bnc |
||
440 |
_aJournal of consumer research _vVolume 40, number 2, |
||
520 | 3 | _aPrior research examining how negative feelings influence aesthetic preferences (e.g., liking of different kinds of music, movies, or stories) has reported inconsistent findings. This article proposes a theoretical argument to explain when people are more likely to prefer mood-congruent to mood-incongruent aesthetic stimuli. It is suggested that mood-congruent aesthetic experiences, for example, listening to sad songs when feeling sad, (a) serve as a surrogate for the mood-sharing often observed in empathic relationships and hence (b) are preferred when emotional distress comes from failing interpersonal relationships (vs. noninterpersonal events). Consistent with this proposition, people's preferences for mood-congruent music strongly correlate with their preferences for an empathic friend (experiment 1). Further, mood-congruent preferences significantly increase when people experience interpersonal (vs. noninterpersonal) distress, independent of emotional intensity, emotion type (sadness and frustration/anger), and normative issues (experiments 1–3). Further theoretical developments and future research are discussed. | |
650 |
_aSocial relations _vEmotion _xAesthetics |
||
700 | 1 |
_aAndrade, Eduardo B. _eco author |
|
700 | 1 |
_aPalmer, Stephen E. _eco author |
|
856 | _uhttps://doi.org/10.1086/670609 | ||
942 |
_2lcc _cJA |
||
999 |
_c169106 _d169106 |