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008 | 240518b |||||||| |||| 00| 0 eng d | ||
022 | _a0143831X | ||
040 |
_aMSU _bEnglish _cMSU _erda |
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050 | 0 | 0 | _aHD5650 EID |
100 | 1 |
_aAsmuß, Birte _eauthor |
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245 | 1 | 0 |
_aThe emergence of symmetries and asymmetries in performance appraisal interviews: _ban interactional perspective/ _ccreated by Birte Asmuß |
264 | 1 |
_aLos Angeles: _bSage: _c2013. |
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336 |
_2rdacontent _atext _btxt |
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337 |
_2rdamedia _aunmediated _bn |
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338 |
_2rdacarrier _avolume _bnc |
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440 |
_aEconomic and industrial democracy _vVolume 34, number 3 |
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520 | 3 | _aPerformance appraisal interviews (PAI) are in a Scandinavian context supposed to be dialogues between equal partners. This implies a focus on the superior and subordinate as conducting a conversation more than an interview, and a focus on development instead of performance. The article seeks to investigate how these ideals are lived up to in the practice of conducting a PAI. On the basis of a corpus of 30 hours of videotaped PAIs and applying a conversation analytical approach, the study shows that interactional symmetries and asymmetries can arise as a consequence of interactional practices that are dynamically negotiated between and agreed upon by the co-participants on a turn-by-turn basis. These symmetries and asymmetries emerge due to the participants’ orientations to institutional and social norms that can intertwine and overlap, thus impeding, postponing or supporting the ideals of PAIs as being dialogues between equal partners. | |
650 |
_aEquality _vPerformance management _xSymmetries and asymmetries |
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856 | _uhttps://doi.org/10.1177/0143831X13489045 | ||
942 |
_2lcc _cJA |
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_c165508 _d165508 |