000			01572nam a22002417a 4500
003			ZW-GwMSU
005			20240412074822.0
008			240410b |||||||| |||| 00| 0 eng d
022			_a08503907
040			_aMSU _bEnglish _cMSU _erda
050	0	0	_aHC501 AFR
100	1		_aFall, Banda _eauthor
245	1	0	_aL'émergence de l'humanisme dans la représentation littéraire de l'exclusion/ _ccreated by Banda Fall
264	1		_aDakar: _bCODESRIA, _c1998.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
440			_aAfrica development _vVolume 23, number 1
520	3		_aBecause their patients are doomed to seclusion and rejection, such diseases as tuberculosis, leprosy, plague, madness and AIDS could be experienced as exile or exclusion of some sorts. As for leprosy, it has been associated in quite a few civilisations with the idea of a curse. It is presented as a disease of mythical or even mystical origin. Therefore lepers remain exiles within the realm of their illness; excluded with no other society than their own; experiencing in their environment but contempt and suspicion. In an attempt to deliver patients from the social excommunication they suffer, writers such as the anonymous author of Roman de Tristan et Iseut or Victor Hugo in Fin de Satan, Ibrahim Ly in Toiles d'araignées tried to demystify clichés and to eradicate negative images attached to leprosy.
650			_aLeprosy _vLiterature _xDisease
856			_uhttps://doi.org/10.57054/ad.v23i1.2433
942			_2lcc _cJA
999			_c164778 _d164778