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003			ZW-GwMSU
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008			231213b |||||||| |||| 00| 0 eng d
040			_aMSU _cMSU _erda
100	1		_aSchweig, Meredith _eauthor
245	0	0	_aYoung soldiers, one day we will change Taiwan : _bmasculinity politics in the Taiwan Rap Scene _cby Meredith Schweig
264			_aChampaign, IL: _bUniversity of Illinois Press; _c2016.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
440			_aEthnomusicology _vVolume 60, number 3,
520			_aThis article explores the gender practices of Taiwan’s male-dominated rap scene, with particular attention to the sonic, textual, and ritual reverberations of Confucian ideologies. In the context of shifting gender roles driven by dramatic sociopolitical and economic change over the course of the past two and a half decades, I argue that artists reimagine and refashion Confucian gender regimes and notions of intra-group hierarchy to create critical new spaces for male sociality, avenues for male self-empowerment, and opportunities for the articulation of masculine identities not otherwise audible in Taiwan’s popular music.
650			_aMasculinity politics
856			_uhttps://doi.org/10.5406/ethnomusicology.60.3.0383
942			_2lcc _cJA
999			_c163620 _d163620