000			01530nam a22002417a 4500
003			ZW-GwMSU
005			20231002172440.0
008			231002b |||||||| |||| 00| 0 eng d
040			_aMSU _cMSU _erda
100			_aLEMON, Alaina
245			_aSympathy for the Weary State? _bCold War Chronotopes and Moscow Others
264			_aCambridge _bCambridge University Press _c2009
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
440			_aComparative Studies in Society and History _vVolume , number ,
520			_aJulya paces the parquet, blond hair coiled severely, hands clasped atop padded buttocks encased in a boxy gray, ill-fitting suit. She sputters abuse at her audience: fifteen classmates sprawled on the floor, their teacher seated in a chair, and a video camera. Moscow, November 2002. The Americans prepare to invade Iraq, Putin serves his third year as president, and these students begin their first term at the Russian Academy for Theatrical Arts (RATI/GITIS). Inside its walls, Julya depicts the head of her high school, an older woman in a town two hours north. She yells: “I REQUEST that TODAY at the meeting with ZhshzhshshzhshuGAnov you ALL be there!” (Zjuganov is the leader of the Russian Communist Party.) Some students slap the parquet laughing. Their teacher is less impressed.
650			_astate
650			_awar chronotopes
650			_aMoscow
856			_uhttps://doi.org/10.1017/S0010417509990156
942			_2lcc _cJA
999			_c163395 _d163395