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020 _a9780674271098
040 _bEnglish
_cMSULIB
_erda
050 0 0 _aHB501 MCC
100 1 _aMccarraher, Eugene.
_eauthor
245 1 _aThe enchantments of mammon :
_bhow capitalism became the religion of modernity /
_ccreated by Eugene McCarraher
264 1 _bThe Belknap Press of Harvard University Press,
_c 2019
264 4 _c ©2019
300 _axii, 799 pages ;
_c24 cm
336 _2rdacontent
_atext
337 _2rdamedia
_aunmediated
_bn
338 _2rdacarrier
_avolume
_bnc
504 _aIncludes bibliographical references and index
505 _aThe dearest freshness deep down things: Capitalist enchantment in Europe, 1600-1914 A hundred dollars, a hundred devils: Mammon in America, 1492-1870 The mystical body of business: the corporate reconstruction of Capitalist enchantment, 1870-1920 The beloved Commonwealth: visions of cooperative enchantment, 1870-1920 The heavenly city of Fordism: enchantment in the Machine Age, 1920-1945 Predicaments of human divinity: critics of Fordist enchantment, 1920-1945 One vast and ecumenical holding company: the prehistory of neoliberal enchantment, 1945-1975
520 _aIf socialists and Wall Street bankers can agree on anything, it is the extreme rationalism of capital. At least since Max Weber, capitalism has been understood as part of the "disenchantment" of the world, stripping material objects and social relations of their mystery and sacredness. Ignoring the motive force of the spirit, capitalism rejects the awe-inspiring divine for the economics of supply and demand. Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether or not it is acknowledged. Capitalist enchantment first flowered in the fields and factories of England and was brought to America by Puritans and evangelicals whose doctrine made ample room for industry and profit. Later, the corporation was mystically animated with human personhood, to preside over the Fordist endeavor to build a heavenly city of mechanized production and communion. By the twenty-first century, capitalism has become thoroughly enchanted by the neoliberal deification of "the market." Informed by cultural history and theology as well as economics, management theory, and marketing, The Enchantments of Mammon looks not to Marx and progressivism but to nineteenth-century Romantics for salvation. The Romantic imagination favors craft, the commons, and sensitivity to natural wonder. It promotes labor that, for the sake of the person, combines reason, creativity, and mutual aid. In this impassioned challenge, McCarraher makes the case that capitalism has hijacked and redirected our intrinsic longing for divinity--and urges us to break its hold on our souls
650 0 _aRomanticism
650 0 _aCapitalism
_xReliogious aspects
650 0 _aEconomics
_xReliogious aspects
942 _2lcc
_cB
999 _c161835
_d161835