000			01869nam a22002297a 4500
003			ZW-GwMSU
005			20221027151640.0
008			221027b |||||||| |||| 00| 0 eng d
040			_aMSU _cMSU _erda
100			_aTrondle Martin _eauthor
245			_aA museum for the twenty-first century: the influence of 'sociality' on art reception in _ccreated by Zakakis, Nikos
264			_aSwitzerland _bRoutledge _c2012
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
440			_vVolume , number ,
520			_aIn recent decades fine art museums have experienced a boom in popularity. This surge is not only reflected by the proliferation of spectacular new museum buildings, but also through a considerable increase in visitors, and, as a result, the significant modification of ‘visitor culture’. These developments require investigation as to how new social situations within the museum environment may influence the perception of artworks. Through the Swiss National Research Project entitled ‘eMotion – mapping museum experience’, we studied the aforementioned social aspects of museum visits in real field conditions, deploying novel methods such as: wireless physiological monitoring, position tracking, electronic surveys, and information cartography. The combination of diverse investigative methods provides insight into the effects of artworks, necessitating alternative strategies for future exhibitions and museum installations. We demonstrate that the social behavior of museum visitors, such as companionship and conversation, have a decisive influence on art reception, which entails consequences for the strategic orientation of museums as sites of experience.
650			_aart experience
650			_aart museums
650			_avisitor research
942			_2lcc _cJA
999			_c159919 _d159919