000 | 01556nam a22002417a 4500 | ||
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003 | ZW-GwMSU | ||
005 | 20221025095654.0 | ||
008 | 221025b |||||||| |||| 00| 0 eng d | ||
040 |
_aMSU _cMSU _erda |
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100 | _aSCHMIDT, Sandra J. | ||
245 |
_aFabricating a nation _bthe function of national museums in nonracial re-presentation and the national imagination |
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264 |
_aPhiladelphia _bRoutledge _c2013 |
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336 |
_2rdacontent _atext _btxt |
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337 |
_2rdamedia _aunmediated _bn |
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338 |
_2rdacarrier _avolume _bnc |
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440 | _vVolume , number , | ||
520 | _aSouth Africa provides a contemporary example of a nation struggling to find and cohere a national imagination that is universally agreeable. In their effort to create a sense of self based on unity across difference, South African relies on museums to produce and spread this narrative. The success of the narrative and its adoption rely on decolonizing modern concepts of race, museum, and nation that perpetuated the apartheid agenda. This paper examines national museums in the country for their success in adopting pedagogy and curricula that break down racial structures and their location in the nation. The inquiry finds moments of promise – a coexistence of narratives and refusals to cohere – alongside moments of concern – struggles to remove the deeply rooted race-based structures from society and museums. | ||
650 | _anation - state | ||
650 | _amuseum | ||
650 | _apedagogy | ||
856 | _uhttps://doi.org/10.1080/09647775.2013.807995 | ||
942 |
_2lcc _cJA |
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999 |
_c159893 _d159893 |