000			01534nam a22003017a 4500
999			_c154763 _d154763
003			ZW-GwMSU
005			20200901145932.0
008			200901b ||||| |||| 00| 0 eng d
020			_a9788869771606
040			_bEnglish _cMSU _erda
041			_aeng
050			_aPN1995
100			_aFerraris, Maurizio _d1956- _eauthor
245			_aCinema and ontology _ccreated by Maurizio Ferraris and Enrico Terrone
260			_aMilano _bMimesis _c2019
300			_a143 pages
336			_2rdacontent _atext
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
490			_aPhilosophy (Mimesis International) _v33
504			_aIncludes bibliographical references
505			_aCinema and the automatic sweetheart. The work of art as an automatic sweetheart. Automatic sweethearts without names: the place of films in the world of art -- Cinema and new realism. Realism and trasparency in film. What is new in realism? Cinema, philosophy and the rediscovery of reality -- Cinema and documediality. The movie theatre of Babel. Toward a new ontology of film. The digital secret of the moving image -- Cinema and the ontology of the cell phone. Double signature. An ontology for mobile movies. Film me, stupid. On Eco on mobile phones and stupidity -- Cinema and animality. Humans, animals, machines. Anthropocentrism and science fiction cinema.
650			_aMotion pictures _xHistory
650			_aOntology
650			_aMotion pictures
700			_aTerrone, Enrico _eauthor
942			_2lcc _cB