The Theory of the modern stage : from Artaud to Zola : an introduction to modern theatre and drama / edited by Eric Bentley

By:

Bentley, Eric [editor]

Material type: Text

text

Media type:

unmediated

Carrier type:

volume

ISBN:

9780141189185

Subject(s):

LOC classification:

PN1657 THE

Summary: Brings together writings by dramatists, directors and thinkers who have had a profound effect on the theatre since mid nineteenth century, from Adolphe Appia to Emile Zola. Here, Antonin Artaud sets out a manifesto for a Theatre of Cruelty, and Bernard Shaw defends himself as a realist, while W B Yeats describes the creation of a People's Theatre.

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Holdings
Item type	Current library	Call number	Copy number	Status	Barcode
Reserve	Zvishavane Library Open Shelf	PN1657 THE (Browse shelf(Opens below))	91661	Available	BK58753
Reserve	Zvishavane Library Open Shelf	PN1657 THE (Browse shelf(Opens below))	91659	Available	BK58755
Reserve	Zvishavane Library Open Shelf	PN1657 THE (Browse shelf(Opens below))	91660	Available	BK58752

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Previous	PN1655 WIL The theater experience /	PN1655 WIL The theater experience	PN1657 THE The Theory of the modern stage : from Artaud to Zola : an introduction to modern theatre and drama /	PN1657 THE The Theory of the modern stage : from Artaud to Zola : an introduction to modern theatre and drama /	PN1657 THE The Theory of the modern stage : from Artaud to Zola : an introduction to modern theatre and drama /	PN1661 GRI How plays are made : a guide to the technique of play construction and the basic principles of drama /	PN1661 GRI How plays are made : a guide to the technique of play construction and the basic principles of drama /	Next

Includes index.

Brings together writings by dramatists, directors and thinkers who have had a profound effect on the theatre since mid nineteenth century, from Adolphe Appia to Emile Zola. Here, Antonin Artaud sets out a manifesto for a Theatre of Cruelty, and Bernard Shaw defends himself as a realist, while W B Yeats describes the creation of a People's Theatre.

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