Gesture and body-movement as teaching and learning tools in the classical voice lesson: A survey into current practice created by Julia Nafisi
Material type:
- text
- unmediated
- volume
- 02650517
- ML5 BRI
Item type | Current library | Call number | Vol info | Copy number | Status | Notes | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|---|
![]() |
Main Library Journal Article | ML5 BRI (Browse shelf(Opens below)) | Vol. 30, no. 3 (pages 347-368) | SP18159 | Not for loan | For in house use |
Browsing Main Library shelves, Shelving location: Journal Article Close shelf browser (Hides shelf browser)
This article discusses the use of gesture and body-movement in the teaching of singing and reports on a survey amongst professional singing teachers in Germany regarding their use of gesture and body movement as pedagogic tools in their teaching. The nomenclature of gestures and movements used in the survey is based on a previous study by the author (Nafisi, 2008, 2010) categorising movements in the teaching of singing according to their pedagogical intent into "Physiological Gestures, Sensation-related Gestures, Musical Gestures" and "Body-Movements." The survey demonstrated that Gestures were used by a significant number of voice teachers to enhance explanation and/or demonstration, that a significant number of voice teachers encouraged their students to carry out similar Gestures whilst singing to enhance their learning experience and that another type of essentially non-expressive "Body-Movements" was also encouraged by a significant number of voice teachers to enhance students' learning. The paper validates the author's nomenclature and offers some hitherto unpublished insights.
There are no comments on this title.