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‘Use’ is an anagram of ‘sue’: cultural control, resistance, and the role of copyright in Chinese cyberspace/ created by Dong Han

By: Material type: TextTextSeries: Global media and communication ; Volume 7, number 2Los Angeles: SAGE, 2011Content type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISSN:
  • 17427665
Subject(s): Online resources: Summary: The role of copyright in cultural control and resistance in Chinese cyberspace is an under-researched topic. This article studies the copyright controversy of an online video in 2006, as well as the dynamics and features of a social mobilization triggered by the video. It argues that Chinese copyright law has very stringent limitations on ‘fair use’, the use of copyrighted works for public or non-market interest and purposes. Under specific technological and regulatory environments, video-sharing as a new media form showed unique power in resisting cultural control in China, yet it is faced with restraints from a pro-control system of copyright. With the rise of capitalist interests and proprietary control mechanisms in Chinese communications sectors, intellectual property is coming to the core of cultural resistance and repression in China.
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Item type Current library Call number Vol info Status Date due Barcode
Journal Article Journal Article Main Library - Special Collections PN4775 GLO (Browse shelf(Opens below)) Vol. 7, No.2 page 97 - 113 Not for loan

The role of copyright in cultural control and resistance in Chinese cyberspace is an under-researched topic. This article studies the copyright controversy of an online video in 2006, as well as the dynamics and features of a social mobilization triggered by the video. It argues that Chinese copyright law has very stringent limitations on ‘fair use’, the use of copyrighted works for public or non-market interest and purposes. Under specific technological and regulatory environments, video-sharing as a new media form showed unique power in resisting cultural control in China, yet it is faced with restraints from a pro-control system of copyright. With the rise of capitalist interests and proprietary control mechanisms in Chinese communications sectors, intellectual property is coming to the core of cultural resistance and repression in China.

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