Jews, race, and popular music Jon Stratton
Material type: TextLanguage: English Series: Ashgate popular and folk music seriesPublication details: Farnham Ashgate 2009Description: 227 pages 24 cmISBN:- 9780754668046
- ML3470 STR
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | Main Library Open Shelf | ML3470 STR (Browse shelf(Opens below)) | 147674 | Available | BK134376 |
Browsing Main Library shelves, Shelving location: Open Shelf Close shelf browser (Hides shelf browser)
ML2975 DON The spectre of sound | ML3470 ROU The Routledge research companion to popular music and gender / | ML3470 SHU Understanding popular music / | ML3470 STR Jews, race, and popular music | ML3479 KHA Senses of communities | ML3503.N6 WAT Juju: | ML3503.Z55 TUR Nationalists, cosmopolitans, and popular music in Zimbabwe |
Includes bibliographical references and index.
Moanin' low -- Jews dreaming of acceptance -- Stay with me -- Jews and blues -- The Beastie Boys -- A Jew singing like a Black woman in Australia -- Not quite English -- Visibly Jewish.
"Jon Stratton provides a pioneering work on Jews as a racialized group in the popular music of America, Britain and Australia during the twentieth and early twenty-first centuries. Rather than taking a narrative, historical approach the book consists of a number of case studies, looking at the American, British and Australian music industries. Stratton's primary motivation is to uncover how the racialized positioning of Jews, which was sometimes similar but often different in each of the societies under consideration, affected the kinds of music with which Jews have become involved. Stratton explores race as a cultural construction and continues discussions undertaken in Jewish Studies concerning the racialization of the Jews and the stereotyping of Jews in order to present an in-depth and critical understanding of Jews, race and popular music."--Provided by publisher.
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