MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01911nam a22002537a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
ZW-GwMSU |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20241014074857.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
241014b |||||||| |||| 00| 0 eng d |
| 022 ## - INTERNATIONAL STANDARD SERIAL NUMBER |
|---|
| International Standard Serial Number |
02560046 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
MSU |
| Language of cataloging |
English |
| Transcribing agency |
MSU |
| Description conventions |
rda |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
P87 CRI |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Zheng, Qi |
| Relator term |
author |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Foreign movies and TV dramas as the source of political argot in an authoritarian context : |
| Remainder of title |
memes and creative resistance in Chinese social media/ |
| Statement of responsibility, etc. |
created by Qi Zheng and Mengqi Li |
| 264 1# - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Oxon : |
| Name of producer, publisher, distributor, manufacturer |
Routledge, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2023. |
| 336 ## - CONTENT TYPE |
|---|
| Source |
rdacontent |
| Content type term |
text |
| Content type code |
txt |
| 337 ## - MEDIA TYPE |
|---|
| Source |
rdamedia |
| Media type term |
unmediated |
| Media type code |
n |
| 338 ## - CARRIER TYPE |
|---|
| Source |
rdacarrier |
| Carrier type term |
volume |
| Carrier type code |
nc |
| 440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE |
|---|
| Title |
Critical arts |
| Volume/sequential designation |
Volume 37, number 6 |
| 520 3# - SUMMARY, ETC. |
|---|
| Summary, etc. |
In the Web 2.0 era, memes have emerged as playful and versatile forms of communication in the daily interactions of social media users. In countries that embrace digital authoritarianism, memes have been deployed as a vehicle of political communication under the online surveillance system. Based on long-term observation of Chinese cyberspace, the author adopts a deep China approach and conducts multimodal critical discourse analysis (MCDA) of a series of political memes which poach transnational TV series and movie scenarios or characters. The remix of symbols from foreign TV dramas and movies with indigenous Chinese symbols devotes to three fundamental dimensions of meaning-making strategies: direct captures, reproduction of the original scene, and the reworking of specific elements. By producing, deploying, and proliferating ironic political memes, Chinese netizens have the capacity to engage in innovative discursive guerrilla wars under the rapidly evolving landscape of surveillance. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Foreign TV drama |
| Form subdivision |
Creative resistance |
| General subdivision |
Political argot |
| Geographic subdivision |
China |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Li, Mengqi |
| Relator term |
co author |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
https://doi.org/10.1080/02560046.2024.2317453 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Journal Article |