MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01381nam a22002177a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
ZW-GwMSU |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20231213100800.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
231213b |||||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
MSU |
| Transcribing agency |
MSU |
| Description conventions |
rda |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Schweig, Meredith |
| Relator term |
author |
| 245 00 - TITLE STATEMENT |
|---|
| Title |
Young soldiers, one day we will change Taiwan : |
| Remainder of title |
masculinity politics in the Taiwan Rap Scene |
| Statement of responsibility, etc. |
by Meredith Schweig |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Champaign, IL: |
| Name of producer, publisher, distributor, manufacturer |
University of Illinois Press; |
| Date of production, publication, distribution, manufacture, or copyright notice |
2016. |
| 336 ## - CONTENT TYPE |
|---|
| Source |
rdacontent |
| Content type term |
text |
| Content type code |
txt |
| 337 ## - MEDIA TYPE |
|---|
| Source |
rdamedia |
| Media type term |
unmediated |
| Media type code |
n |
| 338 ## - CARRIER TYPE |
|---|
| Source |
rdacarrier |
| Carrier type term |
volume |
| Carrier type code |
nc |
| 440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE |
|---|
| Title |
Ethnomusicology |
| Volume/sequential designation |
Volume 60, number 3, |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
This article explores the gender practices of Taiwan’s male-dominated rap scene, with particular attention to the sonic, textual, and ritual reverberations of Confucian ideologies. In the context of shifting gender roles driven by dramatic sociopolitical and economic change over the course of the past two and a half decades, I argue that artists reimagine and refashion Confucian gender regimes and notions of intra-group hierarchy to create critical new spaces for male sociality, avenues for male self-empowerment, and opportunities for the articulation of masculine identities not otherwise audible in Taiwan’s popular music. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Masculinity politics |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
https://doi.org/10.5406/ethnomusicology.60.3.0383 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Journal Article |