Cinema and ontology (Record no. 154763)
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000 -LEADER | |
---|---|
fixed length control field | 01534nam a22003017a 4500 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | ZW-GwMSU |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20200901145932.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 200901b ||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9788869771606 |
040 ## - CATALOGING SOURCE | |
Language of cataloging | English |
Transcribing agency | MSU |
Description conventions | rda |
041 ## - | |
-- | eng |
050 ## - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | PN1995 |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Ferraris, Maurizio |
Dates associated with a name | 1956- |
Relator term | author |
245 ## - TITLE STATEMENT | |
Title | Cinema and ontology |
Statement of responsibility, etc | created by Maurizio Ferraris and Enrico Terrone |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication, distribution, etc | Milano |
Name of publisher, distributor, etc | Mimesis |
Date of publication, distribution, etc | 2019 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 143 pages |
336 ## - CONTENT TYPE | |
Source | rdacontent |
content type term | text |
337 ## - MEDIA TYPE | |
source | rdamedia |
media type term | unmediated |
media type code | n |
338 ## - CARRIER TYPE | |
source | rdacarrier |
carrier type term | volume |
carrier type code | nc |
490 ## - SERIES STATEMENT | |
Series statement | Philosophy (Mimesis International) |
Volume number/sequential designation | 33 |
504 ## - BIBLIOGRAPHY, ETC. NOTE | |
Bibliography, etc | Includes bibliographical references |
505 ## - FORMATTED CONTENTS NOTE | |
Formatted contents note | Cinema and the automatic sweetheart. The work of art as an automatic sweetheart. Automatic sweethearts without names: the place of films in the world of art --<br/>Cinema and new realism. Realism and trasparency in film. What is new in realism? Cinema, philosophy and the rediscovery of reality --<br/>Cinema and documediality. The movie theatre of Babel. Toward a new ontology of film. The digital secret of the moving image --<br/>Cinema and the ontology of the cell phone. Double signature. An ontology for mobile movies. Film me, stupid. On Eco on mobile phones and stupidity --<br/>Cinema and animality. Humans, animals, machines. Anthropocentrism and science fiction cinema. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Motion pictures |
General subdivision | History |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Ontology |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Motion pictures |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Terrone, Enrico |
Relator term | author |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Source of classification or shelving scheme | Library of Congress Classification |
Koha item type | Book |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Source of acquisition | Cost, normal purchase price | Full call number | Barcode | Date last seen | Copy number | Price effective from | Koha item type |
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Library of Congress Classification | Zvishavane Library | Zvishavane Library | Open Shelf | 01/09/2020 | Book Aid International | 17.00 | PN1995 FER | BK135668 | 01/09/2020 | 150092 | 01/09/2020 | Book |