Beethoven /
Beethoven /
edited by Michael Spitzer.
- xxiv, 528 pages; 25 cm
Includes bibliography and index
Part PART I HISTORY AND HISTORIOGRAPHY
chapter 1 Carl Dahlhaus (1991), 'The Biographical Method', in Ludwig van Beethoven: Approaches to his Music, trans. Mary Whittall, Oxford: Clarendon Press, ppages 110
chapter 2 Scott Burnham (1995), 'Beethoven's Hero', in Beethoven Hero, Princeton: Princeton University Press, ppages 328
chapter 3K.M. Knittel (2006), '
chapter 4 Lewis Lockwood (1994), 'Beethoven before 1800: The Mozart Legacy', Beethoven Forum, 3, ppages 3952
chapter 5 Alexander L. Ringer (1970), 'Beethoven and the London Pianoforte School', Musical Quarterly, 56, ppages 74258
chapter 6 Warren Kirkendale (1971), 'New Roads to Old Ideas in Beethoven's Missa Solemnis', in Paul Henry Lang (ed.), The Creative World of Beethoven, New York: Norton, ppages 16399
part PART II DOCUMENTS AND SKETCHES
chapter 7 Maynard Solomon (1998), 'Beethoven's Birth Year', in Beethoven Essays, Cambridge, MA: Harvard University Press, ppages 3542
chapter 8 Hans-Werner Kuthen (2001), 'Das
chapter 9 Maynard Solomon (1972), 'New Light on Beethoven's Letter to an Unknown Woman', Musical Quarterly, 58, ppages 57287
chapter 10 Alan Tyson (1970), 'Conversations with Beethoven', Musical Times, 111, ppages 2528
chapter 11 William Drabkin (1991), 'Beethoven's Understanding of
chapter 12 Philip Gossett (1974), 'Beethoven's Sixth Symphony: Sketches for the First Movement', Journal of the American Musicological Society, 27, ppages 24884
chapter 13 Robert Winter (1977), 'Plans for the Structure of the String Quartet in C Sharp Minor Opages 131', in Alan Tyson (ed.), Beethoven Studies 2, Oxford: Oxford University Press, ppages 10637
part PART III ANALYSIS
chapter 14 Joseph Kerman (1994), 'Tovey's Beethoven', in Write all these Down: Essays on Music, Berkeley: University of California Press, ppages 15572
chapter 15 Robert S. Hatten (1994), 'A Case Study for Interpretation: The Third Movement of Opages 106 (Hammerklavier)', in Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation, Bloomington: Indiana University Press, ppages 928
chapter 16 Janet Schmalfeldt (1995), 'Form as the Process of Becoming: The Beethoven-Hegelian Tradition and the
chapter 17 Michael Spitzer (1996), 'The Significance of Recapitulation in Beethoven's
chapter 18 Edward T. Cone (1989), 'Beethoven's Experiments in Composition: The Late Bagatelles', in Robert Morgan (ed.), Music: A View from Delft. Selected Essays, Chicago: University of Chicago Press, ppages 179200
part PART IV AESTHETICS AND HERMENEUTICS
chapter 19 Rose Rosengard Subotnik (1976), 'Adorno's Diagnosis of Beethoven's Late Style: Early Symptom of a Fatal Condition', Journal of the American Musicological Society, 29, ppages 24275
chapter 20 Rey M. Longyear (1970), 'Beethoven and Romantic Irony', Musical Quarterly, 56, ppages 64764
chapter 21 Owen Jander (1985), 'Beethoven's
chapter 22 Sanna Pederson (2000), 'Beethoven and Masculinity', in Scott Burnham and Michael P. Steinberg (eds), Beethoven and his World, Princeton: Princeton University Press, ppages 31331
chapter 23 Richard Taruskin (1989), 'Resisting the Ninth', 19th-century Music, 12, ppages 24156
chapter 24 Holly Rogers (2006), 'Beethoven's Myth Sympathy: Hollywood's Re-Construction', British Postgraduate Musicology, 8, at http://britishpost-graduatemusicology.org/bpm8/Rogers.html
"Our image of Beethoven has been transformed by the research generated by a succession of scholars and theorists who blazed new trails from the 1960s onwards. This collection of articles written by leading Beethoven scholars brings together strands of this mainly Anglo-American research over the last fifty years and addresses a range of key issues. The volume places Beethoven scholarship within a historical and contemporary context and considers the future of Beethoven studies."--Provided by publisher
9781472440303
Beethoven, Ludwig van--1770-1827
Musical analysis
Musical criticism
ML410 BEE
Includes bibliography and index
Part PART I HISTORY AND HISTORIOGRAPHY
chapter 1 Carl Dahlhaus (1991), 'The Biographical Method', in Ludwig van Beethoven: Approaches to his Music, trans. Mary Whittall, Oxford: Clarendon Press, ppages 110
chapter 2 Scott Burnham (1995), 'Beethoven's Hero', in Beethoven Hero, Princeton: Princeton University Press, ppages 328
chapter 3K.M. Knittel (2006), '
chapter 4 Lewis Lockwood (1994), 'Beethoven before 1800: The Mozart Legacy', Beethoven Forum, 3, ppages 3952
chapter 5 Alexander L. Ringer (1970), 'Beethoven and the London Pianoforte School', Musical Quarterly, 56, ppages 74258
chapter 6 Warren Kirkendale (1971), 'New Roads to Old Ideas in Beethoven's Missa Solemnis', in Paul Henry Lang (ed.), The Creative World of Beethoven, New York: Norton, ppages 16399
part PART II DOCUMENTS AND SKETCHES
chapter 7 Maynard Solomon (1998), 'Beethoven's Birth Year', in Beethoven Essays, Cambridge, MA: Harvard University Press, ppages 3542
chapter 8 Hans-Werner Kuthen (2001), 'Das
chapter 9 Maynard Solomon (1972), 'New Light on Beethoven's Letter to an Unknown Woman', Musical Quarterly, 58, ppages 57287
chapter 10 Alan Tyson (1970), 'Conversations with Beethoven', Musical Times, 111, ppages 2528
chapter 11 William Drabkin (1991), 'Beethoven's Understanding of
chapter 12 Philip Gossett (1974), 'Beethoven's Sixth Symphony: Sketches for the First Movement', Journal of the American Musicological Society, 27, ppages 24884
chapter 13 Robert Winter (1977), 'Plans for the Structure of the String Quartet in C Sharp Minor Opages 131', in Alan Tyson (ed.), Beethoven Studies 2, Oxford: Oxford University Press, ppages 10637
part PART III ANALYSIS
chapter 14 Joseph Kerman (1994), 'Tovey's Beethoven', in Write all these Down: Essays on Music, Berkeley: University of California Press, ppages 15572
chapter 15 Robert S. Hatten (1994), 'A Case Study for Interpretation: The Third Movement of Opages 106 (Hammerklavier)', in Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation, Bloomington: Indiana University Press, ppages 928
chapter 16 Janet Schmalfeldt (1995), 'Form as the Process of Becoming: The Beethoven-Hegelian Tradition and the
chapter 17 Michael Spitzer (1996), 'The Significance of Recapitulation in Beethoven's
chapter 18 Edward T. Cone (1989), 'Beethoven's Experiments in Composition: The Late Bagatelles', in Robert Morgan (ed.), Music: A View from Delft. Selected Essays, Chicago: University of Chicago Press, ppages 179200
part PART IV AESTHETICS AND HERMENEUTICS
chapter 19 Rose Rosengard Subotnik (1976), 'Adorno's Diagnosis of Beethoven's Late Style: Early Symptom of a Fatal Condition', Journal of the American Musicological Society, 29, ppages 24275
chapter 20 Rey M. Longyear (1970), 'Beethoven and Romantic Irony', Musical Quarterly, 56, ppages 64764
chapter 21 Owen Jander (1985), 'Beethoven's
chapter 22 Sanna Pederson (2000), 'Beethoven and Masculinity', in Scott Burnham and Michael P. Steinberg (eds), Beethoven and his World, Princeton: Princeton University Press, ppages 31331
chapter 23 Richard Taruskin (1989), 'Resisting the Ninth', 19th-century Music, 12, ppages 24156
chapter 24 Holly Rogers (2006), 'Beethoven's Myth Sympathy: Hollywood's Re-Construction', British Postgraduate Musicology, 8, at http://britishpost-graduatemusicology.org/bpm8/Rogers.html
"Our image of Beethoven has been transformed by the research generated by a succession of scholars and theorists who blazed new trails from the 1960s onwards. This collection of articles written by leading Beethoven scholars brings together strands of this mainly Anglo-American research over the last fifty years and addresses a range of key issues. The volume places Beethoven scholarship within a historical and contemporary context and considers the future of Beethoven studies."--Provided by publisher
9781472440303
Beethoven, Ludwig van--1770-1827
Musical analysis
Musical criticism
ML410 BEE